That Drifting Excrement Was Way Too Symbolic! These Are the Television Disappointments of the Year.

Looking back, we reflect on the television landscape of the recent year, a handful of shows emerge not for their brilliance, but for their spectacular shortcomings. From cringe-inducing spin-offs to confusingly poor documentaries, here are the productions that left us utterly bewildered or simply reaching for the remote.

And Just Like That

How to start with this love/hate spin-off? Burdened with woeful writing, painful character development (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series struggled to justify its existence. For a moment, as the third season began, it looked like it had at last found its groove. Then came an episode centered on Seema’s natural deodorant. Little surprise the creator declared this would be the final season. It concluded on a bum note; the closeup of Miranda’s loo flooded with poo was just way too symbolic. Yet, viewers undeniably had a hoot dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – danced around her palatial townhouse to Barry White, who couldn't let out a little sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the least of this show's issues. The subject of a very rare zero star review, it was hard to know where to begin enumerating the problems. The hilariously leaden dialogue? The tedious glorification of affluence and consumption? The seemingly wilful parade of tropes? Acting so bad they felt borderline spiteful? Suffice it to say “all of the above” and never speak of this series again. However, a new season has been commissioned, so we’re probably going to have to.

AKA Charlie Sheen

Given the restraining orders, abuse allegations and parental shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d really have gleaned it from this three-part documentary which chuckled along at Sheen’s various episodes of reckless hedonism while struggling to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being indulged, so any pity this series might induce should be saved for the people who have had to suffer proximity with this charismatic but dismissive narcissist.

The Iris Affair

Naturally we understood it was ridiculous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We stuck with it out of pure love for its leads … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. Talk about admitting defeat.

MobLand

Shady characters meeting in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is unfair on the gangland dramas of the late 90s. Many seem a bit dated now, but at least they didn’t endure the ignominy of having to accommodate baffling dialects. But there were plenty of other issues. Mainly that it was just really dull; a conflict over drug-selling territory between various London picaresques which seemed rather simplistic.

With Love, Meghan

Considering the extent to which she provokes the ire of certain ostentatiously angry commentators, it’s almost easy to admire the Duchess of Sussex’s televised forays into quaint homemaking as intentional provocations. But then you view them and are compelled to concede that in this case, they may have a point. It’s like watching a homeware magazine come to life; a poster for evening drinks with delusions of grandeur; a parade of sleeping dogs, humming beehives, Hallmark platitudes and forgettable crafting “tips” you’ll not remember instantly. All supported by vast, mostly unearned wealth. Ugh.

The Beckham Documentary

There are clearly fascinating things to be discussed about both Victoria Beckham and her struggles with career, self-image, self-worth. But for whatever reason, this three-part series chose not to say them. Rather, the viewing was akin to reading a marketing catalogue. She obviously has good reason to bridle at what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any helps with this guarded letdown of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even more extravagant, with a famous star as a deceased benefactor and a well-known personality managing her estate. What more could you ask for? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s still too confusing to explain what precisely was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The show ended up smelling of a programme that was straining desperately to live up to something way beyond it.

The Lena Dunham Romcom

How do you succeed a show that defined a generation? The pressure was enormous for this glitzy romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The star seized the opportunity by the horns and was joyous to watch, reveling in Jane Austen levels of romantic ideals. But it was all very slick and, ironically, was insufficient. Plus, the abundance of famous friends involved felt icky.

The Sketch Show Return

Not good enough to be ‘patchy’.

Given the smart inclusion of talented emerging comics, expectations were high. But unhappily, most of it didn’t land. A recurring sketch was a one-note joke milked to a dry pulp but recurring in every episode. One star seemed too willing to slip into a familiar irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the thought that they should probably have remained in there a while longer.

The Knox Dramatisation

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be treated sensitively. Instead, the series laboured awkwardly to find the right voice, lumbering from oddly jaunty, slightly mannered farce to ultimately, real-life horror. Complex? Arguably. A complete mess? Absolutely.

Prime Target

We admire the lead actor … but did we believe him playing the greatest maths genius since, a man so intelligent he’s on the brink of a breakthrough that could ruin society? Nope! This international thriller about secret services spying on – and eliminating – intellectuals honestly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the content creator notorious for explicit exploits as she prepared for her biggest challenge yet. What on earth would possess her? What we craved was far greater examination of her actual psyche, plus those of the men in the line. They could at least have spoken to the now-famous mum who appeared to haul her son out of the queue. What we got was horrific shots and zero critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.

Ryan Nguyen
Ryan Nguyen

A tech strategist and digital innovation expert with over a decade of experience in emerging technologies and startup ecosystems.